brilliant it was. brilliant. just brilliant
| 1. | Exit Only |
| 2. | Epic Problem |
| 3. | Place Position |
| 4. | And The Same |
| 5. | Nightshop |
| 6. | Merchandise |
| 7. | Runaway Return |
| 8. | Bed For The Scraping |
| 9. | Life and Limb |
| 10. | Reclamation |
| 11. | The Kill |
| 12. | Margin Walker |
| 13. | Waiting Room |
| 14. | Full Disclosure |
| 15. | Cashout |
| 16. | Number 5 |
| 17. | Interlude 1 |
| 18. | Forensic Scene |
| 19. | Arpeggiator |
| 20. | Argument |
| 21. | Do You Like Me |
| 22. | Repeater |
| 23. | Public Witness Program |
| 24. | Five Corporations |
| 25. | Encore 1 |
| 26. | Blueprint |
| 27. | Break |
| 28. | FD |
| 29. | Sweet and Low |
| 30. | Outro |
Banner image from Keep Your Eyes Open by Glen E. Friedman
©2026 Dischord Records
This was an enjoyable recording, we only get the tail end of 'Exit Only' but from then on in it sounds very good, there are 26 complete songs and the recording lasts over an hour and a half. Something funny happens with phones in Interlude 1 that was hard to understand just listening to the recording... it was probably this: "The best stage banter I heard was when Fugazi played in Limerick, Ireland. Someone in the audience lost their cellphone and it ended up on stage, in between songs the phone rang, Ian MacKaye answered it and spoke to the owner's mother, it was very funny... Everyone was cracking up." - Geofery Cotter (found on the Salad Days documentary Facebook page).